The Black Hours MS M.493 today in the Pierpont Morgan Library New York was made around 1475 in Bruges, probably in the circle of Willem Vrelant, the leading illuminator of this time. The Black Hours is a product of unequalled luxury. All 121 vellum folios are stained in black. To make the writing stand out against the dark background, only white lead and opaque paints were used for the miniatures, and gold and silver ink for the script. Only three of these black parchment manuscripts bound in codices survive to this day.

Delicate Production

The production of a manuscript on black parchment was extremely costly and delicate. In a first step the parchment was immersed in an iron copper solution to obtain the black coloring, before it was painted.

The immersion in black color was, however, detrimental to the quality of the manuscript in the long run as the dye made the parchment fragile and brittle.

The decorative apparatus of the Black Hours is unique in the world: more than half of the folios are ornate with large borders grounded in a gleaming blue color. The ornaments contained therein – acanthus leaves abounding with drolleries – are all executed in gold.

Additionally, the chapter incipits were highlighted with rubrics written with gold ink. A particular feature are the more than thirty sumptuous initials in gold leaf on an emerald ground which extend over more than one line to divide the text.

Golden Miniatures on Black Ground

The 14 full-page miniatures are embellished with glittering gold to amplify the effect of the black stained pages. Finely differentiated shades of grey and a delicate noble coloring allowed the painter to enhance the perspective of interiors and landscapes before the black background.

His limitation to a small number of carefully selected colors lends the miniatures their very special charm. The prayers are each introduced by a full-page picture. The Office of the Virgin alone contains eight of these miniatures, expressing the great veneration reserved for the Virgin Mary.

Bruges and the Dukes of Burgundy

The Flemish city of Bruges was among the busiest trading communities in Europe and a celebrated center of book illumination. This city, in which the rarest and most precious things abounded, also attracted many art lovers who contributed greatly to both the local culture and craftsmanship.

The production of black manuscripts is closely associated with the ascent of the dukes of Burgundy. Out of the six surviving black parchment manuscripts, five were made in the Low Countries and one in Spain.

The realm of Burgundy was an unusual and very shortlived state which emerged in the late 14th century at the interface between the kingdom of France and the Holy Roman Empire.

Through marriage, purchase, heritage and conquest, the dukes of Burgundy constructed a realm which extended from the North Sea down into the heart of France, comprising the homeland of Burgundy and other provinces such as Flanders, Limbourg and Luxembourg.

The extravagance and pomp of the Burgundian court soon outperformed anything ever known in Europe and became the model for royal households everywhere.

The Color Black at the Court of Philip the Good

When his father John the Fearless was stabbed to death on 10 September 1419 by servants of the French king, Philip was only 23 years old. Unable to revenge this murder, he decided to lend his mourning a visible expression.

The mourners, who accompanied him during the celebrations and welcomed the French and the English kings on horseback, well befitted the splendor of the house of Burgundy.

2000 black pennants, with black standards and seven cubit long banners, their fringes in black silk, all embroidered or painted with golden coats of arms, adorned the funeral procession.

Even the stately seats and coach of the duke were painted black. As Philip continued wearing black long after the mourning period was over, this began to "rub off" on the nobility and finally on the rich citizens of Flanders.

From then on it was considered good form in Flanders to dress in black. This combination of religious thinking and fashionable splendor is the foundation of the Black Hours produced around 1475.

We have 1 facsimile edition of the manuscript "Black Hours": Schwarzes Stundenbuch facsimile edition, published by Faksimile Verlag, 2001

Request Info / Price
Manuscript book description compiled by Facsimile Finder Staff.
Please Read
International social justice movements and the debates that ensued prompted us to start considering the contents of our website from a critical point of view. This has led us to acknowledge that most of the texts in our database are Western-centered. We have asked the authors of our content to be aware of the underlying racial and cultural bias in many scholarly sources, and to try to keep in mind multiple points of view while describing the manuscripts. We also recognize that this is yet a small, first step towards fighting inequality.

If you notice any trace of racist or unjust narratives in our communications, please help us be part of the change by letting us know.

Schwarzes Stundenbuch

Lucerne or Munich: Faksimile Verlag, 2001

  • Commentary (German) by Bousmanne, Bernard; Voelke, William M.
  • Limited Edition: 980 copies
  • Full-size color reproduction of the entire original document, Black Hours: the facsimile attempts to replicate the look-and-feel and physical features of the original document; pages are trimmed according to the original format; the binding might not be consistent with the current document binding.

Both the facsimile and the commentary volume are available in a protective case of acrylic glass.


Made of black velvet, ornate with gilded decorative buttons and a gilded clasp. The publisher successfully restored to the manuscript a binding which perfectly befits its sumptuous splendour and replaces the current protective 20th century binding.

Our Price

More Buying Choices

Request Info