London, British Library, MS Cotton Nero A.x

Pearl Manuscript Facsimile Edition

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The Pearl Manuscript (British Library MS Cotton Nero A.x) is one of the most important texts in English literature. The codex was written and illuminated in the late 14th century, in southern England, possibly London. The unassuming appearance of the Pearl Manuscript belies its incalculable importance to our knowledge of English literature.

Beautiful Script and Charming Miniatures

Of modest format, the Pearl manuscript is decorated with a series of engaging full-page illustrations and is written in a textura rotunda script with Anglican features.

It is worth noticing that the Pearl manuscript represents the sole extant source of four poems – two of them undeniable masterpieces of early English literature – which witness a significant and impressive flowering of literary creativity towards the end of the 14th century.

The Pearl Manuscript: Near-destruction and Oblivion

The Pearl Manuscript narrowly escaped destruction from the fire which in 1731 damaged the library bequeathed to the nation by the antiquarian Robert Cotton (1571–1631), resulting in the permanent loss of a huge quantity of medieval manuscripts.

Only in 1839 its most famous poem Sir Gawain and the Green Knight, was edited and published alongside a number of other Gawain romances, later followed by other poems from the manuscript, namely Pearl, Cleanness, and Patience.

Pearl Poem: the First of 4 Allegorical Works

The manuscript takes its name after one of the poems it contains; the Pearl poem is an allegorical poem which tells the story bereaved father who, having fallen asleep, finds himself in the Terrestrial Paradise engaging in dialogue about Christian doctrine.

The Tale of Sir Gaiwain: Apex of Arthurian Romance

The last poem of the manuscript represents it most famous work: the tale of Sir Gawain who accepts the Green Knight’s challenge to behead him, on condition that he submits to the same fate a year and a day later.

Gawain, having beheaded the Green Knight starts his journey to the place where his fate will occur, thus making the character the ultimate example of the chivalric code, and for this reason, the story is one of the best known of all Arthurian romances.

Author and Artist?

Due to the several characteristics and feature that all four poems share – such as versification, alliteration, and use of abstract ideas – there is a general belief that all four poems were composed by one author, generally known as the Pearl poet or Gawain poet.

The manuscript features 12 illustrations which some scholars have suggested are the work of the writer. What can be stated with certainty is that the manuscript was written in the second half of the 14th century, a period of intense poetic activity which coincided with the reign of Richard II (1377–99).

We have 1 facsimile edition of the manuscript "Pearl Manuscript": The Pearl Manuscript facsimile edition, published by The Folio Society, 2015

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Manuscript book description compiled by the publisher.
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The Pearl Manuscript

London: The Folio Society, 2015

  • Commentary (English) by Andrew, Malcolm; Waldron, Ronald; O'Donoghue, Bernard
  • Limited Edition: 980 copies
  • Full-size color reproduction of the entire original document, Pearl Manuscript: the facsimile attempts to replicate the look-and-feel and physical features of the original document; pages are trimmed according to the original format; the binding might not be consistent with the current document binding.

The edition of the Pearl Manuscript commentary volume produced by pre-eminent medievalists Malcolm Andrew and Ronald Waldron has remained the most authoritative companion to Cotton Nero A.x since it was first published in 1978. The Folio Society facsimile is accompanied by the fully revised and updated fifth edition published in 2007. This study contains a comprehensive introduction to the manuscript, its contents, provenance and history, followed by a complete parallel text of the original Middle English and a modern translation. Also included is a specially commissioned foreword by leading poet and medievalist Bernard O'Donoghue.


Blue leather with gold tooling. Facsimile and commentary volume issued in a clamshell case.

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