Professor Shirin Fozi explains why she found handling the newly acquired Hebrew facsimiles in the University of Pittsburgh’s library to be transformative and why the physical presence of the facsimiles in the library proved vital for her seminars.
Find out how an American Professor specializing in art history used a facsimile of a medieval map of the Roman Empire to enrich and deepen her students’ learning experience. Teaching in a hybrid environment during the pandemic has been quite a challenge for both teachers and students, but in this case, it turned into a great opportunity.
George Cochrane’s graphic novel is now in production. This is your chance to grab one of the last copies available for sale.
We want to thank everyone who has followed our journey into the world of The Divine Comedy, taking a closer look at George Cochrane’s artistic process in completing ‘La Divina Commedia – The New Manuscript’
George wanted to create a new edition that recalled many of the things that were visible in the time of Dante: every move the artist made was a careful choice.
“That connection of handwriting, telling a story in sequence, where you use words and pictures to tell a story, is a very strong connection.”
The way Dante’s work first appeared was in manuscripts, so handwriting is a part of the way that his poem had first appeared.
As George works tirelessly to complete his new Divine Comedy, he always looks to 700 years of Art inspired by Dante.
“My daily routine was modeled on the Medieval monks’: I have kept to a rigid schedule, waking before dawn to scribe my manuscript pages. Each page took me about 1.5 hours to complete. I would write, every single day for months, as many lines as I could complete before going to work.”
Like many love stories, artist George Cochrane’s is about overcoming impossible odds.