Florence, Biblioteca Riccardiana, Cod. Ricc. 323

Psalter of Frederick II Facsimile Edition

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This remarkable illuminated psalter decorated in the Byzantine style was commissioned by the Holy Roman Emperor Frederick II of Sicily (1194–1250) for his third wife, Isabella of England (1214–41). Frederick married Isabella in 1235.

A complex style for a complex period

The production of the book reflects the complex period in which it was created. The iconography of many of the images has German sources, the calligraphy is in the style of Italian “rotondo,” and the illuminations show Byzantine influences that are reflected in the architecture, the drapery of the clothes, and the dark faces and deeply set eyes of the figures. This splendid manuscript, made for the queen of the Holy Roman Empire, was composed to reflect the gold and bright enamels of the art of the mosaic and reveals Italian taste tempered by elements of Byzantine classicism.

Of German ancestry, Frederick II was one of the most important monarchs of the Middle Ages. A patron of the arts and sciences who spoke six languages (Latin, Sicilian, German, French, Greek, and Arabic), Frederick ruled over much of present-day Italy, Germany, and parts of France.

Binding description

19th century copy of the original medieval one.

We have 1 facsimile edition of the manuscript "Psalter of Frederick II": Libro dei Salmi di Federico II facsimile edition, published by Vallecchi, 2006

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Manuscript book description compiled by Facsimile Finder Staff.
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Libro dei Salmi di Federico II

Florence: Vallecchi, 2006

  • Commentary (Italian) by Lazzi, Giovanna; Cardini, Franco
  • Limited Edition: 500 copies
  • Full-size color reproduction of the entire original document, Psalter of Frederick II: the facsimile attempts to replicate the look-and-feel and physical features of the original document; pages are trimmed according to the original format; the binding might not be consistent with the current document binding.

Reproduction in a special printing technique with stochastic cross-hatching that makes it possible to obtain a continuous tone of coloring, rendering colors and details with a photographic quality. The successive application of gold dust has made it possible to reproduce, as faithfully as possible, the almost chalky characteristics of gold applied with a brush on the codex sheets.


The natural parchment used to line the book boards renders the medieval flavour of the original binding, unfortunately lost.

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