Lisbon, Museu Fundação Calouste Gulbenkian, MS L.A. 139

Gulbenkian Apocalypse Facsimile Edition

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The Gulbenkian Apocalypse is one of the most interesting Gothic apocalypses from England. The codex, also known as Apocalipsis Gulbenkian, was written and illuminated in the second half of the 13th century and it features an interesting iconographic apparatus which echoes other contemporary Apocalypses such as the Lambeth and the Abingdon Apocalypse making it a splendid example of 13th century illumination.

Gullbenkian Apocalypse and the Metz Group

The manuscript exhibits an outstanding iconography, probably the work of some workshop in London, and clearly echoes other manuscripts which were produced in the same period and in the same area, such as the Lambeth Apocalypse and the Abingdon Apocalypse, that together with the Gulbenkian Apocalypse belong, iconographically speaking, to the so-called Metz group.

Iconographic Apparatus: Evocative and Representative

Each folio contains a miniature, a section of religious text, and a section of commentary by Berengaudus. Each miniature is placed is such a way to crown the structure of the page, furthermore, all the illustrations are surrounded by a rectangular frame meant to enhance the illustration within rather than to separate it from the rest.

Indeed, more often than not figures or even architectural structures extend out of the frames. The illustrations display a densely populated imagery which is further highlighted by the use of burnished gold and strong colors such as red, blue, and green.

The artist shows great mastery in the use of colors and gold, and in the creation of miniatures which are very evocative and representative of both the text and the glosses. One of the most famous illustrations is the miniature on f. 1r which portraits the figure of St. John on the island of Patmos as he receives the message of Christ brought to him by an angel.

Tractatus Adversos Judaeos

Interestingly, the illustrative cycle of the Gubenkian Apocalypse is an important source for the understanding of the radical anti-Jewish ideology that developed in the 13th century in England and that brought to the expulsion of Jews from the island in 1290.

The Gulbenkian Apocalypse: from Popes to Collectors

The manuscript certainly had an interesting life and, although there is no certainty about the commissioner of the work, it has been suggested that the Gulbenkian Apocalypse belonged to Pope Clement IX (1667-1669).

The manuscript was later acquired (in the second half of the 19th century) by Cesare Battaglini, who sold it to Henry Yates Thomson who treasured it until 1920 when Calouste Gulbenkian purchased it from him.

Gothic Script

The Apocalipsis Gulbenkian, featuring a beautiful example of Gothic script, is named after the Fundação Calouste Gulbenkian a foundation interested in the arts, education, and science, and whose museum currently treasures the remarkable manuscript.

Binding description

Unfortunately, like many other medieval codices, the Gulbenkian Apocalypse lost its original binding.

Sources

  • Images courtesy of the Louisiana Digital Library

We have 1 facsimile edition of the manuscript "Gulbenkian Apocalypse": Apocalipsis Gulbenkian facsimile edition, published by M. Moleiro Editor, 2001

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Apocalipsis Gulbenkian

Barcelona: M. Moleiro Editor, 2001
We are not official distributor of this publisher. We do, however, supply pre-owned, like-new copies of their publications.

  • Commentary (English, Spanish) by Rui Vilar, Emílio; Morgan, Nigel J.; Lewis, Suzanne; Nascimento, Aires; Brown, Michelle P.
  • Limited Edition: 987 copies
  • Full-size color reproduction of the entire original document, Gulbenkian Apocalypse: the facsimile attempts to replicate the look-and-feel and physical features of the original document; pages are trimmed according to the original format; the binding might not be consistent with the current document binding.

The facsimile edition comes in a leather case.

Binding

Parchment.

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