You don’t need to understand Anglo-French biblical verses to read this bible: written and illuminated in the 14th century, the codex features dozens of powerful illustrations.
Ever dreamed of hosting a Renaissance exhibition in your living-room? With the new facsimile by Quaternio Verlag, unveiled at the Frankfurt Book Fair, you can!
Between the 10th and 11th centuries, Germany became the center of European book illumination due to the brightly colored surfaces, sumptuous gold, and spiritual intensity of its manuscripts. Scroll down to see the video!
If you think you have already seen the strangest outfits in the world, check out these medieval clothes and accessories, some of which were considered “inventions of the devil” by the Church.
King Martin I of Aragon (1356-1410) was so fond of art he supported the creation of paintings and manuscripts even in periods of financial distress. This Alumina article tells us more about his breviary, an exquisite example of international Gothic style.
With its 60 pages of illuminated art, and over 500 initials, the Codex Aureus of Echternach is a true gem of the Ottonian era. This Alumina article unveils its history.
When the Duke of Modena, Borso d’Este, commissioned a lavish, two-volume bible to be illuminated by the best artists of his age, he had a specific political purpose in mind. Scroll down to see the video!
Why did Cristoforo de Predis use 15th-century Milan architecture as a backdrop for religious scenes? The answer goes deep into the human mind.
After eight and a half centuries this liturgical book, profusely decorated with shimmering gold and silver, is almost untouched by time. A new facsimile edition by Quaternio Verlag Luzern takes us closer to the perfection of its Romanesque illuminations.
Did you know that the illuminator of this precious book of hours helped Leonardo da Vinci paint the Virgin of the Rocks? Find out more in today’s Alumina article!