We want to thank everyone who has followed our journey into the world of The Divine Comedy, taking a closer look at George Cochrane’s artistic process in completing ‘La Divina Commedia – The New Manuscript’
George wanted to create a new edition that recalled many of the things that were visible in the time of Dante: every move the artist made was a careful choice.
“That connection of handwriting, telling a story in sequence, where you use words and pictures to tell a story, is a very strong connection.”
The way Dante’s work first appeared was in manuscripts, so handwriting is a part of the way that his poem had first appeared.
As George works tirelessly to complete his new Divine Comedy, he always looks to 700 years of Art inspired by Dante.
“My daily routine was modeled on the Medieval monks’: I have kept to a rigid schedule, waking before dawn to scribe my manuscript pages. Each page took me about 1.5 hours to complete. I would write, every single day for months, as many lines as I could complete before going to work.”
Like many love stories, artist George Cochrane’s is about overcoming impossible odds.
The Master of James IV of Scotland, a most talented and prominent illuminator from the decades bookending the year 1500, was named after his work in this very Book of Hours. This extravagant manuscript was likely made as a gift for the king of Scotland and Margaret Tudor around the time of their 1503 wedding.
Our friends from Müller & Schindler surprise us with a new, unprecedented manuscript of the Apocalypse made during a troubled time for Europeans: the beginning of the 15th century.
Not only does this splendidly decorated manuscript contain forty-nine illuminations created under the guidance of Pacino di Bonaguida. It also features commentaries by illustrious contemporary intellectuals, among which is a poem attributed to Boccaccio. Scroll down to see the video!