London, British Library, Add. Ms. 47682

Holkham Bible Facsimile Edition

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The Holkham Bible is one of the most singular and exquisite bibles of gothic illumination of English provenance. Written and illuminated in the second quarter of the 14th century, the codex features large-format miniatures on almost every page exhibiting a choice of language and stories that still today represent a puzzle to the modern reader.

Holkham Bible: London Landmarks and Fresco-like Painting

Interestingly, unlike many illuminated manuscripts, the words illustrate the pictures instead of the other way around. The iconographic apparatus of the Holkham Bible overflows with details from the medieval time, such as technological developments and London landmarks.

Unlike later manuscripts which very often features a heavy ornamentation, the Holkham Bible lacks the gleaming gold and silver, indeed, the artist chose to use a form of tinted wash which was popular in earlier manuscripts. The subtlety and naturalistic poses echo the art of Italian fresco painting rather than of the stylised figures of medieval illumination.

Diapering Technique and Time-lapsed Scenes

The iconographic apparatus of the Holkham Bible exhibits an outstanding rendition of drapery, textiles and clothing, presenting diamond-patterned backgrounds – created with the diapering technique – that feature flowers and oak-leaves painted in red.

It is worth noticing that the artist chooses to enhance the dramatic nature of his story by conflating events into a single scene thus heightening the dramatic impact. An example of this technique is the representation of the third, fifth, and sixth day of the creation as if they were all taking place simultaneously.

Populist Audience and Unknown Commissioner

The Holkham Bible, despite being a bible, betrays a populist approach in terms of the scenes the artist chose to paint. It seems certain that he did not use any pre-existing model, choosing to combine several sources such as: sacred scriptures, entertaining details from the mystery plays, episodes from an Anglo-Norman account of Christ's childhood, and Petrus Comestor's influential twelfth-century Historia Scholastica.

The selected stories seem to appeal to the common people rather than to an aristocratic audience, and among the scenes are: Jesus tricking his master by doing all his work with a miracle and Herod peeping down Salome's skirt.

It is unclear who was the commissioner of the work. What is certain is that the manuscript was in the possession of the library of Holkham House – after which the manuscript is named – until it was moved to the British Library.

Gothic Script

The Holkham Bible features a gothic script, namely Gothic Textura. Typical of the script are the two forms of r, sharp, straight, angular lines, and the use of abbreviations. It seems clear that the words were added after the painting stage, the opposite of what manuscript production usually required. The text is written in Anglo-Norman with occasional words and sentences in English.

We have 1 facsimile edition of the manuscript "Holkham Bible": Holkham Bible facsimile edition, published by The Folio Society, 2007

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Holkham Bible

London: The Folio Society, 2007

  • Commentary (English) by Brown, Michelle P.
  • Limited Edition: 1750 copies
  • Full-size color reproduction of the entire original document, Holkham Bible: the facsimile attempts to replicate the look-and-feel and physical features of the original document; pages are trimmed according to the original format; the binding might not be consistent with the current document binding.

Printed on Swiss-made Furioso paper. Facsimile presented together with its commentary volume in a buckram-bound solander box with a leather title label.

Binding

Blue leather with buckram sides printed with diaperwork pattern. Separate leather title label blocked with a design by David Eccles in gold, red and blue. Gilded on all three edges, with a ribbon marker.

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