Vienna, Österreichische Nationalbibliothek, Codex Vindobonensis S. N. 2700

Antiphonary of St. Peter Facsimile Edition

Our price

More Buying Choices

Request Info

The Antiphonary of St. Peter in Salzburg is one of the most splendid liturgical manuscripts ever made. Due to its exceptional value, for almost 8 centuries it was mainly used in solemn occasions and kept safe in the library for the rest of the year. The codex, due to its format, is justly considered one of the most imposing manuscripts of the 12th century.

Iconographic Project of the Antiphonary of St. Peter

The iconographic apparatus of the Antiphonary of St. Peter features several vividly painted miniatures on golden ground, another lavish decorative element are the golden initials painted on purple grounds, typical color of Romanesque art.

The decorative elements include 12 calendar pages, two Easter tables, and more than 400 initials featuring decorative design such as flora and fauna.

The most lavish and intricate part of the antiphonary features 6 full-page illuminations and 2 half-page miniatures achieved with opaque color painting. Framing the figures painted with warm colors, are golden gleaming backgrounds taking as a model the Byzantine method.

Decorative Techniques: Opaque Color Painting and Pen Drawings

Another magnificent decoration are the lavishly illuminated full-length initials which exhibit a great ability in the use of gold and silver interlace, at times decorated with flowers and at time with animals and human figures.

The antiphonary, in addition to featuring the opaque color painting, also showcases 49 pen drawings which make use of the two inks used for the written text and which provide a visual consistency granted by their blue and green backgrounds.

These techniques – well-balanced and coherent – are only two of the several decorative elements present in the codex. Indeed, ornamental elements are featured on almost all pages, with vines, stylized foliage, animals, and flowers decorating the over 400 decorated initials.

One feature worth of notice is the calendar section comprising 12 calendar pages, each displaying two saints together with a zodiac. Enigmatic numbers and letters are provided on the left margin of the page, which are of easy decryption once the reader has mastered the medieval computing technique which, in this case, calculates the date of Easter according to the position of the moon, thus explaining the presence of the 2 Easter tables.

Beautiful Example of Romanesque Script

The Antiphonary of St. Peter exhibits an exquisite Romanesque script, and it is the work of several scribes, although showing very similar features. It is worth noticing the presence of neumes of St Gall located above the lines.

We have 1 facsimile edition of the manuscript "Antiphonary of St. Peter": Das Antiphonar von St. Peter facsimile edition, published by Akademische Druck- u. Verlagsanstalt (ADEVA), 1969

Request Info / Price
Manuscript book description compiled by Facsimile Finder Staff.
Please Read
International social justice movements and the debates that ensued prompted us to start considering the contents of our website from a critical point of view. This has led us to acknowledge that most of the texts in our database are Western-centered. We have asked the authors of our content to be aware of the underlying racial and cultural bias in many scholarly sources, and to try to keep in mind multiple points of view while describing the manuscripts. We also recognize that this is yet a small, first step towards fighting inequality.

If you notice any trace of racist or unjust narratives in our communications, please help us be part of the change by letting us know.

Das Antiphonar von St. Peter

Graz: Akademische Druck- u. Verlagsanstalt (ADEVA), 1969

  • Commentary (German) by Unterkircher, Franz; Demus, Otto
  • Full-size color reproduction of the entire original document, Antiphonary of St. Peter: the facsimile attempts to replicate the look-and-feel and physical features of the original document; pages are trimmed according to the original format; the binding might not be consistent with the current document binding.

The commentary volume features an introduction to aspects of codicology by Franz Unterkircher describing the manuscript in detail. Additionally, an analysis by Otto Demus on the history of art perspective is provided. The commentary also deals with the topics of the workshop, the dating, and succession of the manuscript.


Leather on wooden board according to contemporary pattern.

Our Price

More Buying Choices

Request Info