Francesco’s Offiziolo is one of the earliest evidence of the fortune of Dante’s Divina Commedia in that it refers to the work at its early stages when it was still being written. Want to know more? Read on!
Want to know a bit more about Simon Bening, one of the greatest Flemish illuminators of all time? Why not take a few minutes to read about his pictorial technique?
Never cared much for calendars? Simon Bening’s works of art are about to change your mind.
If you were to teach reading and writing to your kids in the 12th century, you would probably use a Psalter. But would you choose one as magnificently illuminated as the St Albans Psalter? Scroll down for the video!
Do you miss traveling and visiting museums? Don’t worry, the Gallerie Estensi in Modena didn’t forget about its international visitors and officially launched a “Digital Library” to make its manuscripts available for everyone! (Guest post by Bianca Raimondi, who did her internship at FacsimileFinder in the summer of 2020)
In many of the 41 illustrations, John the Divine is peeking at the apocalyptic scene from an opening in the frame. We like to imagine that the artist had a lot of fun while depicting the apostle’s awe.
Around the year 1000, Holy Roman Emperor Otto III and his mother Teophanu had a lasting influence on European politics and culture. A marriage certificate, a devotional codex, and a gospel book still witness their grandeur.
The most complete guide on how to create a magnificent botanical garden, by the apothecary and botanist Basilius Besler.
Six centuries ago in the Netherlands, innovative manuscript art merged with Gothic style to create a lavish, gold-decorated codex comparing scenes from the Old and New testaments. It is called “Bible for the Poor”, but was it really destined for the common people?
The Lorsch Gospels, written with gold ink from beginning to end, is so well-preserved one would think it was made yesterday. Yet its full-page illustrations, glowing with real silver and held together by a carved ivory cover, reflect the height of artistic brilliance of Charlemagne’s court.