London, British Library, Kings MS 5

Golden Bible - Biblia Pauperum Facsimile Edition

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The Golden Bible is a most unusual medieval Bible manuscript, a princely illustrated commentary to the Holy Scriptures. It was made during the first years of the 15th century, at a time when Count Albert's of Bavaria-Holland (1389-1404) and his second wife Margaret of Cleves' court at The Hague developed into a new independent centre of the arts.

The illuminator and author of this magnificent work was presumably the same master who decorated Margaret's Book of Hours which shows obvious similarities in style. Given the high quality of the miniatures and the lavish decoration, it is assumed that the manuscript was destined for a prince.

An Enigmatic History

The destiny of the manuscript during the first three and a half centuries is somewhat elusive. However, one inscription, presumably from the 16th century, reveals some information on the owner: Alexander Ratclyff Boke. This family name can be traced back in Lancastershire, England, to the Late Middle Ages.

In the 18th century, a Ratclyffe descendant donated the manuscript to the English king George III. The recent binding of the codex in finely tooled red morocco with a fly-leaf in red moirese-silk goes back to the same century. In 1823, George's III son donated his father's library to the State which passed it on to the British Museum.

A Unique Format

The main purpose of a so-called Biblia Pauperum was to make connections between the Old and the New Testament visible in picture and text, in order to convince the faithful and to contradict the heretical ideas of the Cathari and many other heretical movements present at the end of the Middle Ages.

Originally the manuscript had a different format: its present oblong pages were initially folded twice so that the manuscript looked like a normal codex; the reader had to open the book and unfold the page to view the pictures as they are seen today.

A Golden Manuscript as Bible of the Poor?

To call such a luxurious manuscript, richly decorated with gold, a "Bible of the poor" seems paradoxical. It goes without saying that this masterful work was by no means created for the common people of bygone centuries, who were mostly illiterate.

While the church had always been aware of the value of religious pictures, recognising that these were the books of the laity, the great illustrated works of the Middle Ages, especially those which were so magnificently executed as this one, had at no time been known as Bibles of the poor. The truth is that the word goes back to an incident which occurred at the beginning of scholarship which studied this genre of illuminated manuscripts.

93 de Luxe Miniatures in Silver and Gold

Each page is decorated with three magnificent miniatures. While the central miniature depicts an event from the New Testament, cornered by busts of the four Prophets, the miniatures on both sides show scenes from the Old Testament which were considered as previews for the fulfilment of the message of the New Testament. These illustrations by an unknown artist fascinate through their intensive colouring and modern painting technique.

We have 1 facsimile edition of the manuscript "Golden Bible - Biblia Pauperum": Goldene Bilderbibel "Biblia Pauperum" facsimile edition, published by Faksimile Verlag, 1994

Goldene Bilderbibel "Biblia Pauperum"

Lucerne or Munich: Faksimile Verlag, 1994

  • Commentary (English, French, German) by Backhouse, Janet; Marrow, James H.; Schmidt, Gerhard
  • Limited Edition: 980 copies
  • This facsimile is complete (full-size color reproduction of the whole original document).

The facsimile is published in a strictly limited edition of 980 hand-numbered copies worldwide. All 70 pages of the manuscript including 93 miniatures have been reproduced in full accordance with the original in the format 17.9 x 38.4 cm. The trilingual scientific commentary (German/French/ English) has given the following experts occasion to present the outcomes of their most recent studies: Janet Bachhouse, London, on the history of the manuscript; James Marrow, Berkeley, who deals with the style and decoration as well as with the position of the manuscript in art history; and Gerhard Schmidt, Vienna, who explains the illustrations of the manuscript and their relations to the history of art.


The binding in red morocco leather with rich gold tooling was made in the finest tradition of handwork.

Used and new from

€ 1,841

approx US$ 2,052

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