Florence at the Dawn of the Renaissance: Painting and Illumination, 1300-1350 (exhibition at the Getty)

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The world of Renaissance come to life in this incredible exhibition at the Getty Museum, where paintings by Giotto, Pacino di Buonaguida and other Italian Masters are presented to the public in all their glory.

An exciting new exhibition has just opened at the Getty Center in Los Angeles.

With more than 200 illustrations, Florence at the Dawn of the Renaissance reveals the full complexity and enduring beauty of the art of this period, including panel paintings, illuminated manuscripts, and stained glass panels. At the J. Paul Getty Museum, November 13th to February 10, 2013.

In the early 1300s, creativity was flourishing in Florence at a time of unprecedented prosperity, urban expansion, and intellectual innovation, the Renaissance was awakening. In this dynamic climate, master painter Giotto di Bondone revolutionized painting with a new, more naturalistic approach to the human form. He—along with the iconic literary figure Dante Alighieri and accomplished panel painters and illuminators—formed a thriving artistic community that responded to the great demand for art and literature in the growing city, both for the decoration of sacred and secular buildings and for the illumination of luxurious manuscriptsPacino da Bonaguida at the Getty Center

This major international loan exhibition presents seven breathtaking paintings by Giotto, the largest number ever assembled in North America, as well as extraordinary works by his Florentine contemporaries, including painters Bernardo Daddi and Taddeo Gaddi and painter-illuminators Pacino di Bonaguida, the Master of the Dominican Effigies, and the Master of the Codex of Saint George. Among the highlights are the earliest illuminated copies of Dante‘s masterpiece the Divine Comedy, and nearly all the surviving leaves from the most important illuminated manuscript commission of the early 1300s, the Laudario of Sant’Agnese.

In a fresh approach to this material, paintings, manuscript illumination, and stained glass are examined side by side, in concert with new scientific analysis and findings about artists’ techniques and workshops, to reveal a complex and nuanced picture of the beauty of Florentine art during this pivotal moment in history.

Florence at the Dawn of the Renaissance: Painting and Illumination, 1300–1350, was co-organized by the J. Paul Getty Museum and the Art Gallery of Ontario. It has been supported by an indemnity from the Federal Council on the Arts and the Humanities.

This exhibition celebrates 2013 as the Year of Italian Culture in the United States, an initiative of the Italian Ministry of Foreign Affairs, realized under the leadership of the President of the Republic of Italy.

“Florence at the Dawn of the Renaissance: Painting and Illumination, 1300-1350,” J. Paul Getty Museum, 1200 Getty Center Drive, (310) 440-7300, through Feb. 10. Closed Monday.